My work evolved from drawing, sculpture, and performance. In the last five years through the production platform rockfluid I reacted to the fast pace and the unsubstantial nature of our technology filled times, by offering audiences experiences of relating to each other and in physical space.
“to be awaken, to be driven out, to be crinkled, to explore, to tune up, to identify, to conquer one’s own conscience, awareness, to find one’s own place, role, point of implementation, to self-determinate, to accrue, come to fruition | omni-directionally | impressive silence.
the physical organization of our living space. every modification introduced in a specific point endangers/questions the whole system of relations.
the acute desire | u spinnu | to observe the tender sculptures through the microscope” (my translation of extracts from Danilo Dolci, ‘Dal trasmettere al comunicare’1973, 2011)
During the recent project ‘lo scarto’ I tried to understand Danilo Dolci’s dialogic dynamics, his ‘reciprocal maieutics’ through drawings, sculptures and actions to highlight the meaning to be found in space, and indeed distance between people: lo scarto (the left over). We tend to go through places without inhabiting them. Through my work I try to offer people the opportunity to understand that the space between us, as well as that around us, and its history belong to us, even if we inhabit them only for a short amount of time. The awareness of one’s own identity in relation to one’s own place must be cherished and nurtured. The phenomenology, sociology, and psychology of engaging with others in space and through matter are embedded in my work and experienced/manifested in drawings, sculptures, and collective actions.
My work evolved from drawing, sculpture, and performance. In the last five years through the production platform rockfluid I reacted to the fast pace and the unsubstantial nature of our technology filled times, by offering audiences experiences of relating to each other and in physical space. This was due to both my unsettled life experience and the site specific approach in my work, where as the artist I constantly reenact the experience of place, attachment, and separation. In particular central to the participatory approach for the current SEEDS of ATTACHMENT (New Hall Collection, Cambridge, Art Language Location), and LIVED DIALECTICS: MOVEMENT AND REST (MuseumsQuarter, Vienna Austria, 2016) is the concept of social space as space produced by social action and notions of place attachment
- Categories: Installation/Land/Site-specific, Other, Kinetic/Mobile
- Materials: Wood/Paper, Other, Textile
- Location: East of England